Ode to Osaka / Manthey Kula

By Karen Valenzuela

© Manthey Kula

© Manthey Kula


© Manthey Kula


© Manthey Kula


© Manthey Kula


© Manthey Kula

  • Textile/Pneumatics: Luft & Laune, Zürich
  • Carpentry: Jens Posberg Mortensen
  • Steel: Varia AS – TinTin Motor AS

© Manthey Kula
© Manthey Kula

From the architect. Architect Sverre Fehn’s competition entry for the Scandinavian pavilion at the World Fair in Osaka 1970 is part of the Norwegian National Museum – Architecture’s collection. Fehn’s proposal of a breathing structure where images of Scandinavian nature was to be projected on the expanding and contracting walls did not win the competition and was never realized.


© Manthey Kula
© Manthey Kula

The inflated structure is considered to be atypical in Fehn’s production, but the iconic images of the flexible, moving structure still have their power.


Section 1
Section 1

As part of a strategy for activating its collection the museum commissioned architects Manthey Kula to develop a concept for some kind of realization of Sverre Fehn’s competition entry. The task was very open: What was envisioned was a functioning scale model. However the idea to develop the project in order to have it built inside the museum pavilion – which is Fehn’s last built work – was presented quite early and supported by the museum.


© Manthey Kula
© Manthey Kula

The installation on show is a result of a design process where important questions concerning the solution of the built piece and it’s relationship to the initial competition entry had to be addressed and sorted out: The questions concerned technical issues, matters of form and material, geometry, size and siting, and eventually that of exhibition content.


Detail 8
Detail 8

What can now be experienced in the museum is not Sverre Fehn’s project for the Osaka World fair. It is a contemporary installation based on, and honoring his idea of a breathing space. It is a structure consisting of an airlock building and an inflated moving space. All details are developed in order for the installation to be dismounted and re-erected. There are no objects on show – only space.


© Manthey Kula
© Manthey Kula

Source:: http://feedproxy.google.com/~r/ArchDaily/~3/z8mSI0qw8ww/ode-to-osaka-manthey-kula

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