Yinchuan Museum of Contemporary Art (MOCA) / waa (we architech anonymous)

Architects: waa (we architech anonymous)
Site: YinChuan City, Ning Xia Province, China
Design Team: Zhang Di, Jack Young, Ruben Bergambagt, Huang Yisu
Area: 13188.0 m2
Year: 2015
Photography: NAARO, waa

Architecture And Interior Design: waa (we architech anonymous)
Facade Consultant: Buro Happold
Main Contractor: China Railway Construction Group
Facade Contractor: Jingho+Beilida
Interior Cladding Contractor: Egrow
Client: MinSheng Real Estate Development
Gea: 15006 sqm

From the architect. Site/Exterior：

MOCA Yinchuan is located at the border between lush wetlands and arid desert divided by the Yellow river.

In an area with no apparent grounding for contemporary art culture to grow. It was chosen to embrace this site complexity and rich ecological history.

Placing the importance of geological activity in our site narration enabled the formation of a site specific concept and identity.

Material:

Frequent flooding over the last millennia can be observed through satellite imagery which alludes to the rivers ever changing, shifting location.

Leaving the current vast wetlands, as the only remnants of this journey and inspiring the museums dialogue with the site.

The crafted museum’s massing responds to geological forces (uploading/Sediment erosion) visible in the sedimentary creases abundant on the facade.

Visualising the creases and texture require explorations using parametric techniques at certain moments during the design process.

Interior:

These help implant the desired identity, a “fossil “documenting the traces of Time.

If the facade creases speak of documented time through material sedimentation. Emulating these natural landform processes frees a language intrinsically linked with ‘Place’ while hinting of this ‘place’ as a Time in the past.

GRC was an integral to developing a double curved surface.

This building is comprised of over 1600 unique panels ranging from 40sqm to 8sqm. Re- awakening of the spirit of craftsmanship redundant in the age of automation.

Internal programmatic arrangement dictated the envelopes appearance.

We hoped to engage in an open feel of participation for local visitors shortening the leap to art appreciation through educational leisure programs. Thus engaging the community and challenging them to observe in an open and optimistic environment.